By Carol Mattingly
Carol Mattingly examines the significance of gown and visual appeal for nineteenth-century girls audio system and explores how girls appropriated gendered conceptions of costume and visual appeal to outline the fight for illustration and gear that's rhetoric. even though an important to women’s effectiveness as audio system, Mattingly notes, visual appeal has been overlooked since it was once taken with no consideration through men.
Because ladies hardly spoke in public sooner than the 19th century, no guidance existed concerning acceptable costume after they started to communicate to audiences. costume evoked quick photos of gender, a vital attention for ladies audio system as a result of its robust organization with position, finding ladies within the family sphere and making a basic picture that girls audio system could paintings with—and against—throughout the century. competition to conspicuous swap for girls frequently necessitated the sophisticated move of comforting photographs while ladies sought to inhabit routinely masculine areas. the main profitable girls audio system rigorously negotiated expectancies by way of highlighting a few conventions whilst they broke others.
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Additional info for Appropriate Ing Dress: Women's Rhetorical Style in Nineteenth-Century America (Studies in Rhetorics and Feminisms)
And Wright was also blamed for insults “offered to ladies and young unprotected females in the middle of the day” (“To Mr. Justice Wyman” ) by gangs of young men. ” (“To the Editor” ). FRIENDLY DRESS Apparently few “modest” women dared associate themselves with Wright’s speeches. Women’s organizations that would subsequently support women speakers remained silent. Elizabeth Oakes Smith later remembered that while she “saw nothing out of the way in [Wright’s] extending her audience from the parlor to the forum” (Wyman Selections ), others were not so accepting.
Langer and Roberts typify the dismay at clothing encumbrances endured by Victorian women. Indeed, scholars often focus on the patriarchal control inherent in dress dichotomies. Alison Lurie marks the gender inequities in nineteenthcentury clothing, with women’s clothing designed specifically to present women’s frail immaturity through pale colors and fragile materials. Lurie claims that clothing helped to position women somewhere between children and angels, as “weak, timid, innocent creatures of sensitive nerves and easily alarmed modesty who could only be truly safe and happy under the protection of some man” ().
The simple Quaker dress would have contrasted sharply with her previous dress, and with the dress of other young women in town, in its repudiation of the numerous petticoats and extravagant ornamental embellishments typical of “fashionable” young southern women. In its unconventionality, the Quaker dress no doubt attracted much more attention than her expensive traditional clothing would have. In addition, the expensive clothing associated her with her plantation owner (slaveholding) background.
Appropriate Ing Dress: Women's Rhetorical Style in Nineteenth-Century America (Studies in Rhetorics and Feminisms) by Carol Mattingly