By Martin Wine (auth.)
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Shakespeare's amazing skill to notice and show vital new currents and moods in his tradition frequently led him to dramatise human interactions in keeping with the presence or absence of tolerance. variations of faith, gender, nationality and what's now known as 'race' are very important in such a lot of Shakespeare's performs, and sundry methods of bridging those changes through sympathy and knowing are usually depicted.
Un delicioso recorrido por l. a. obra y los lugares más emblemáticos de ocho escritores fundamentales. El regreso de Savater a su faceta más divulgativa.
En Aquí viven leones, Fernando Savater vuelve a una de sus facetas favoritas, los angeles de divulgador de l. a. literatura y el pensamiento. A través de ocho viajes inolvidables, ilustrados magníficamente por Anapurna, nos presenta l. a. obra y los angeles vida de Shakespeare, Valle Inclán, Poe, Leopardi, Agatha Christie, Reyes, Flaubert y Zweig.
Son ocho extraordinarias introducciones a sendos autores clave de los angeles literatura common de muy distintos registros. Un libro maravilloso para entrar en el mundo de estos escritores, conocer su obra y disponer de más claves para poder disfrutarla.
«Un libro hermoso y bien ilustrado en todos los sentidos. »
Luis M. Alonso, l. a. Opinión de A Coruña
Concentrating on the sensible ability and media of Shakespeare's level, this learn envisions horizons for his success within the theatre. Bridging the space among modern-day web page- and stage-centred interpretations, popular Shakespeareans reveal the crafty skill through which Shakespeare replied to the competing claims of appearing and writing within the Elizabethan period.
Shakespeare's performs are permeable to the contexts within which they're played, taking over and talking to neighborhood issues. Early smooth audiences could have skilled the humor and resonance of neighborhood identity together with his performs. a similar is correct in trendy Australia, the place the content material of that neighborhood identity with Shakespeare's performs is uniquely Australian.
Additional info for Antony and Cleopatra by William Shakespeare
Cleopatra asks to be alone in her grief, which certainly seems genuine, although even in the next to last line she is wondering about Octavia's height - the tone is wonderfully complex. Not once has she said anything about the political consequences for her of Antony's marriage to Caesar's sister; the loss of Antony, not the possible loss of her kingdom, is the cause of her rage and grief. Act II, Scene vi Summary Near Misenum, Caesar, Lepidus, and Antony meet with Pompey, who consents, somewhat hastily, to a treaty that does not favour him.
Act III, Scene viii Summary Caesar orders Taurus, his lieutenant, not to do battle on land until 'we have done at sea', where he sees the advantage totally on his side. Commentary This brief scene at Caesar's headquarters comments eloquently on the previous scene. Caesar is self-confident, in charge, and certain of victory. He has carefully mapped out his battle plans, which he insists be followed as he has written them (4-5). 52-3). But here Caesar also sees the land battle as a last resort because he does not expect it to take place: he is placing his bet on the favourable outcome of the battle at sea ('Our fortune lies / Upon this jump', 5-6).
His 'ignorance' has lost him 'Kingdoms and provinces'. Scarus will wait and see what happens; but Canidius, Antony's lieutenant, will take his troops and horse, as six kings have done already, and desert to Caesar. Enobarbus, against 'reason', will still follow for a time the 'wounded chance of Antony'. Commentary Antony's defeat in this first battle against Caesar is swift. Shakespeare's open-air platform could not stage battles; off-stage noises and a few soldiers rushing in one door and out another were enough to suggest events.
Antony and Cleopatra by William Shakespeare by Martin Wine (auth.)