By Natalie Reitano

This dissertation considers how Nabokov, Ishiguro and Sebald---each of whom has abjured, in numerous methods, a feeling of nationwide belonging---rethink group on the subject of the legacies of totalitarianism, imperialism and fascism. I learn Ada, The Unconsoled and Austerlitz either via and opposed to theories of neighborhood proposed via Bataille, Blanchot, Nancy and Agamben. Forming a kind of counter-discourse to varied contemporary "traumatic" discourses, those philosophical remedies of neighborhood might interrupt a triumphing trust that any engagement with the earlier inaugurates melancholic repetition; they search as an alternative to find substitute buildings of neighborhood in a gift that may be neither a transition to a predestined destiny nor the redemption of a misplaced prior. neighborhood, as a query of no matter if belonging can withstand nostalgia or anticipation for a few (national) immanence misplaced or to come back, mostly determines the novels' temporal good judgment. every one addresses the potential of divorcing the current from an orientation towards loss via interrupting narrative futures triggered via "catastrophe" and a feeling of "imminent crisis." And but every one, in its war of words with political upheaval, old deadlock and the ostensibly ruptural good judgment of modernity itself, threatens to overhaul that good judgment the place interruption is pressed into the carrier of self-perpetuation. For if the novels face up to a "future anterior" by way of interrupting an indebtedness to the previous, in addition they exceed the current that every could delimit by means of refusing to finish. jointly they exhibit power problems with formulations of interruption, restrict and abandonment that may face up to fantasies of nationwide redemption: every one novel is itself a delusion of nationwide unbelonging that makes an attempt to replacement its personal aesthetic totality for a feeling of nationhood that has been misplaced and that is still, regardless of Nabokov, Ishiguro and Sebald's disavowals of nationwide identification, a locus of longing. notwithstanding, even though myths of nationwide origins and rebirth do proceed to play out in those novels, an adventure of the "limit of community"---that threshold among the current and what it's not, among finitude and indeterminacy---continues to problem any "literary immortality" that will overwrite it.

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Additional resources for Against redemption: Interrupting the future in the fiction of Vladimir Nabokov, Kazuo Ishiguro and W. G. Sebald

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31 Nabokov, Ada, 582. 32 Ishiguro, The Unconsoled, 107. 33 Sebald, ONHD, 77. 34 Nabokov, Strong Opinions, 113. 35 Nancy, Inoperative Community, 60. 36 Sebald, Austerlitz, 123. 37 Vattimo, Transparent Society, 85. 38 Blanchot, Work of Fire, 340. 39 Vila-Matas,. , 157. Emphasis in original. 40 Bataille, Accursed Share, 245. 41 Sebald, “An Interview with WG Sebald,” 92. 42 Nabokov, Ada, 20. 43 Ishiguro, “Stuck,” 10. 44 Vattimo, Transparent Society, 1. 45 Osborne, Philosophy in Cultural Theory, 57.

113 Nabokov, Ada, 18. 114 Nabokov, Ada, 536. 115 Nabokov, Strong Opinions, 156. 116 Nabokov, Ada, 550. 117 Bataille, Accursed Share, 220. 118 Nabokov, Ada, 536. 119 Nabokov, Strong Opinions, 69. 120 Bataille, Accursed Share, 210. 121 Nabokov, Ada, 219-220. 122 Nabokov, Ada, 556. 123 Nancy, Inoperative Community, 26. Emphasis in original. 124 Sebald, ONHD, 155. 125 Sebald, Austerlitz, 13. 126 Agamben, Remnants, 106. 127 Agamben, Remnants, 130. 128 Sebald, Austerlitz, 167. 50 Chapter Two. The “Unremembered” in Ada, or Ardor I.

For those like Negri who adhere to a Marxist tradition, various ideas of unworking or insufficiency such as Agamben’s or Nancy’s or Blanchot’s preempt any positive outcome of decisive action. (Negri, “It’s A Powerful Life: A Conversation on Contemporary Philosophy,” 172). 25 Negri, Time for Revolution, 112. 26 Negri, Time for Revolution, 113. 27 Benjamin, Arcades Project,463. 28 Derrida, Of Grammatology, 5. 46 29 Benjamin, Illuminations, 254. 30 Comay, “Materialist Mutations of the Bilderverbot,” 372.

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