By Ciaran Cronin

ISBN-10: 0631222073

ISBN-13: 9780631222071

ISBN-10: 1405123184

ISBN-13: 9781405123181

This significant other brings jointly especially commissioned essays through uncommon foreign students that mirror either the variety of Victorian poetry and the diversity of serious ways that light up it.Approaches Victorian poetry in terms of style, creation and cultural context, instead of via person poets or poems Demonstrates how a specific poet or poem emerges from a few overlapping cultural contexts. Explores the relationships among paintings by way of diversified poets remembers cognizance to a substantial physique of poetry that has fallen into forget Essays are expert by means of fresh advancements in textual and cultural conception Considers Victorian ladies poets in each bankruptcy

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Although Victorian poetics came to distance itself from Romantic poetics, the first generation of Victorian poets initially saw themselves as writing in a Romantic tradition. Had the second generation of the Romantics not died so young, we would not have so sharp a sense of division between these groups of writers. Wordsworth, after all, was still writing poetry in the 1830s and 1840s, and served as poet laureate until his death in 1850, when he was succeeded by Tennyson. Even in early Victorian poetry, however, we can see assumptions that would generate a distinct poetic project.

Such an art escapes the predicament of the modern: the alienation of artists from his society, their Introduction: Victorian Poetics 7 confinement to subjectivity as the material of art, and their location in a mundane contemporaneity. Arnold advocates a style appropriate to poetry as he conceived it: the grand style, in which beauty or elaborateness of expression does not offer itself as an independent pleasure, distracting the reader from the action. Elsewhere he criticizes the styles of Keats, Tennyson and Browning for too fervent an embrace of ‘the world’s multitudinousness’ (Arnold 1932: 97).

D. H. (1952) The Alien Vision of Victorian Poetry: Sources of the Poetic Imagination in Tennyson, Arnold, Browning. Princeton, N. : Princeton University Press. Kermode, Frank (1964) Romantic Image. New York: Vintage. Langbaum, Robert (1957) The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. London: Chatto & Windus. ’ Victorian Poetry, 33, 149–68. Mill, John Stuart (1963–90) Collected Works. Eds Ann P. Robson and John M. Robson. Toronto: Toronto University Press. Morley, John (1866) ‘Mr.

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A Companion to Victorian Poetry (Blackwell Companions to Literature and Culture) by Ciaran Cronin


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